Posted on October 1, 2014
Above: A small stream snakes through vibrant green moss on Mt. Rainier in Washington state. The picture reminds me how alive and diverse the mountain is, from the thunderous cracks and groans of enormous glaciers to the smallest bubbling stream sustaining a secluded ecosystem. The picture is a rough scan of color positive film, shot on Hasselblad.
Posted on October 22, 2013
Above: Heidi in the Hood, a selectively-saturated portrait.
It sounds and feels like a lot – this is my 100th post. Thanks to everyone who visits! I have spent a lot of time running Far North Light and loved every minute. It’s great to have so many people show an interest in seeing things through my lens for a little while.
To commemorate 100 posts I have made major formatting changes. Most notable is the blogs appearance, it now includes a homepage with a slideshow, and will in the future include more galleries and portfolios. Please check out my updated about page as well.
I decided there would be no better way to mark 100 posts then to revisit some of the most popular. Note: as this is the second incarnation of Far North Light some of the images were not previously on the blog, but needed to be revisited regardless.
Do you have a favorite photo that I didn’t include in the best-of? Let me know and I’ll make a follow-up post.
Strange Day was the first 4×5 large-format negative I ever took, and one of my first images ever accepted into a juried art show. The following image is a scanned silver-gelatin fibre print. If I knew how I achieved such black clouds, I would tell you.
Stange Day was taken at Creamers Field, which was a diary farm and is now a migratory wildfowl refuge, and one of my favorite places to photograph. It’s excellent for everything from landscapes to portraits. The next is a wind drift closeup from Creamers, also 4×5.
I don’t often go in search of wildlife, but when given the opportunity do photograph it.
No compilation post about photography would be complete without some of my photojournalism. From Oct. 17, 2012
As I’m sure is obvious this is but a small collection of the posts and stories I’ve shared. Many of my personal favorites I put into the homepage slide show. I hope you enjoyed, and stay tuned for many more images!
Category: Abstract, Alaska, Black & White, Landscapes, Portraits, Travel, Uncategorized Tagged: 100 posts, 4x5, Alaska, art, Art Photography, best of, Birds, black and white, black and white photography, canada geese, Color, Color photography, compilation, Fairbanks, FIlm, halloween, Interior alaska, journalism, large format, light writing, Monochrome, People, photo, photography, Ravens, Scanning, Sikuliaq, silver gelatin, snow, Weather
Posted on April 16, 2013
First things first: My condolences go out to all those affected by today’s Boston Marathon tragedy. I have spent some time viewing photos and watching videos, it truly is horrific. I can’t imagine the utter shock and chaos felt during what should have been a time of jubilation.
I was riding my bike to school, just about this time in 2012, and stopped by Creamers Field to shoot some 35mm, B&W film. I happened upon an unexpected scene.
Fairbanks musician Tim Robb watched the arrival of Canada goose while practicing guitar, his dog in attendance. Robb is a very enjoyable, mellow yet enthusiastic musician. The Fairbanks Daily News-Miner correctly critiques his work: “Robb… typically blurs the style lines through free-form interpretation and improvisation.”
I was worried I didn’t have anything for Music Monday, then I found these gems in my archives. The first image is a lesson in micro-composition. A few extra seconds in the viewfinder and I may have panned up and to the right, eliminating the rear-door handle and “Outback” emblem, at the same time getting all the lettering on the barn and the vents on the roof.
Category: Alaska, Black & White, Film, Music, Photography, Portraits, Street Tagged: 35mm film, Alaska, art, Art Photography, bike riding, black and white, black and white film, black and white photography, Canada Goose, Creamers Dairy, Creamers Field, Dogs, early morning light, Fairbanks, Fairbanks Daily News-Miner, guitar, light writing, micro-composition, Monochrome, music, People, photo, photography, Scanning, silver gelatin, smiles, snow, spring, still photography, Subaru, Weather
Posted on September 26, 2012
Solitary: being, living or going alone or without companions. The word instantly conjurs images of some distant wayfarer or contemplative individual. For this installment of the Weekly Photo Challenge, I will show you three of my interpretations of solitary, images I believe convey the mood through subject matter and compositional elements.
First: a very literal interpretation of solitary. In Denali National Park, a lone-grazing caribou is seen in vast tundra. I wont even begin to speculate on the distances, however it was shot with a 300MM telephoto lens on a Canon 7D. The importance of the 7D is the smaller APS-C sized sensor increases the 300MM lens to an effective focal length of 480MM! As focal length increases, the depth of a picture is flattened, making the relationships of everything seem closer.
In short, this caribou is very alone.
Please click on the images to view full size.
My second image is more metaphorically solitary. The model and her shadow are all the viewer has to dwell on. I think her gaze off the edge of the frame, often deemed poor composition because the viewer wonders what the subject is looking at, gives the feeling that there is nothing besides more wall, adding to the solitary feeling. Also helping is the edge of the 4×5 film, terminating any curiosity about what else there may be.
Finally a somber event that would leave anyone feeling solitary. A woman walks past a cutout to honor a victim of domestic violence. The plaque reads,
“Nancy Tegoseak, Age 40, April, 2004. Nancy was born in Tanana and the loving mother of five children. She was beaten to death by her boyfriend. She leaves behind three children.”
Category: Alaska, Black & White, Film, Landscapes, Photography, Portraits, Travel, Weekly Photo Post Tagged: 4x5, Alaska, APS-C, art, Art Photography, black and white, black and white photography, Canon 7D, Caribou, Color, Color photography, composition, critters, Denali, Denali National Park, domestic violence, Fairbanks, FIlm, focal length, light writing, metaphor, metaphorically, Monochrome, Negatives, People, photo, photography, postaday, Scanning, sensor size, sensors, sheet film, solitary, subject matter, telephoto, Weekly photo challenge, wildlife
Posted on May 5, 2012
As part of my art minor I’m taking a Native Arts of Alaska class. It’s emphasis is in wood carving, and masks are a very popular form of Native art. A friend of mine and Finnish exchange student made a Lynx transformation mask out of Birch. I had to do a shoot, a transformation shoot if you will, with Suvi and her mask. You will likely instantly understand why I wanted to, but her long, red dreads offered the perfect gateway between mask and creator.
Please click on the images to view full size.
Category: Alaska, Arts, Film, Photography, Portraits Tagged: 7D, Alaska, Alaskan native, art, Art Photography, birch, black and white, black and white photography, canon, cats, Color, Color photography, Fairbanks, FIlm, Hassleblad, light writing, lynx, mask carving, masks, Monochrome, Native arts, Negatives, photo, photography, Scanning, transformation, trees, woodcarving
Posted on April 26, 2012
The title pretty much says it all. I was just shooting a few frames of my cat Carlos sitting in the sun when he opened wide for a yawn. The two frames were mere seconds apart. I feel it’s hard taking pictures of pets that are not simply snapshots. One way to change the aesthetic could be trying different gear, editing or processing techniques. Much of my aesthetic comes from shooting film. Another way is to turn it into a study with multiple images. In this case a study of a cat yawning. Of course I couldn’t have anticipated his sudden inhale, but also would’t have caught it had I not just taken the preceding picture. It could be argued only one picture is needed, but I think the combination of the two paints a more complete picture, allowing the viewer to get an idea of the cats appearance.
Category: Alaska, Black & White, Film, Photography, Portraits Tagged: 35MM, aesthetics, Alaska, art, Art Photography, black and white, black and white photography, cat, cats, Depth of Field, diptych, Fairbanks, FIlm, film scanning, Grain, light writing, Monochrome, Negatives, photo, photography, Scanning, Shallow depth of field, silver gelatin, study, yawning
Posted on April 19, 2012
Record temperatures in Fairbanks means snow’s melting, fast. I’ve been photographing the farmer who is raising Black Angus cows some more. Here water drips off a fence highlighted by sun with a cow in the background. 100 speed film means not a lot of grain, but on 35MM it still comes standard, shallow depth of field just because I can.
Please click on the image to view full size.
Category: Abstract, Alaska, Black & White, Film, Photography, Portraits Tagged: 35MM, Alaska, art, Art Photography, black and white, black and white photography, Black Angus, cows, Depth of Field, Fairbanks, FIlm, Grain, light writing, melting, Monochrome, Negatives, photo, photography, Scanning, Shallow depth of field, silver gelatin, snow, spring, water, Weather